Category Archives: Historic Homes

Happy Birthday, Jane Austen!

In honor of Jane Austen’s birth on December 16, 1775, I’m revisiting one of my favorite travel memories. In 2014, I visited the home where Jane lived in her last years. And I experienced Six (or fewer) Degrees of Separation from Jane.

Jane Austen lived the last few years of her too-short life in tranquil Chawton, Hampshire, with her mother, her cherished sister Cassandra, and a family friend. The women were pretty much penniless after the death of Jane’s father. Like most single women of their time, they had to depend on the kindness of relatives for a roof over their heads.

Edward Knight

It was their good fortune that Jane’s brother Edward Knight was able to come to the rescue. Why was his name Edward Knight, not Edward Austen? He had been formally adopted by a cousin of Jane’s father, Thomas Knight. Thomas and his wife Catherine were wealthy and childless. They made Edward their heir. He inherited several estates, among them a grand house at Chawton. The house came with a sizable but cozy cottage, which Edward made available to his mother and sisters for their lifetimes.

At last, in her thirties, Jane had a stable home. She had begun writing as a teenager but had more or less given it up during the years that she had no settled home. In Chawton, she established a routine of writing every morning at a little round table in front of the dining room window. Her sister Cassandra took over morning household chores, giving Jane the freedom to write. In the afternoons, they took long walks in the countryside–just like Jane’s heroines. They also spent a lot of time visiting friends and relatives, including the wealthy connections Edward Knight was able to give them.

On this humble little table, Jane wrote the classics we know and love: Persuasion, Pride and Prejudice, Sense and Sensibility, Northanger Abbey, Mansfield Park, and Emma. Some of them she had begun earlier and had put away. Family lore had it that a squeaky door was purposely never oiled, so that Jane always had warning of visitors. She would hastily hide her manuscript until the visitors had left.

Jane’s books dealt with the serious problems of women dependent on men for economic security. As she knew all too well from her own life, an unmarried woman without a fortune of her own had very few options for survival. Jane spun her stories with humor, but also with hard-earned experience in understanding human conflicts.

I was deep in a discussion about Austen family history with a man stationed in the house, when I noticed that his name tag said, “Mr. Knight.” Could it be? Yes! My Mr. Knight was a living, breathing, direct descendant of Jane’s brother! I think he looks just like his ancestor.

In Copenhagen this month, I loved seeing some outfits from Jane’s era in the Design Museum.

The Empire dresses first popularized by Josephine, the wife of Napoleon, were popular in Scandinavia as well as in Jane’s England.

I loved the puff detail on this one, which was made in Denmark’s colony in the Indies. (Taking care of fragile garments like this was the job of slaves–an unpleasant fact that countries like Denmark and England and America are still struggling to come to terms with). In one of her books, “Mansfield Park,” Jane touched on the subject.

Still, I can dream of a ladylike life in a peaceful English village. How about a little cotton jacket for a stroll in the garden?

I just found my DVD of my all-time favorite movie based on Jane’s work, “Persuasion.” It’s about maturity, regrets, making one’s own risky choices, and second chances. It stars Amanda Root, Ciaran Hinds, Corin Redgrave, Fiona Shaw, and a long list of other fine British actors. I’ll be watching it today, and feeling grateful that in her short life Jane was able to write as much as she did.

Plas Newydd: Royalty and Green Skilly

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I admit to being a hopeless Anglophile. I can easily see myself sweeping down a grand staircase to greet visiting royalty, as the Angleseys of Plas Newydd in Wales did for centuries.

The house has Tudor origins, but much of it was built in stages beginning in the 1700s. According to a docent, it was more or less a summer cottage, so costs were kept down. The stone walls and pillars in the entry hall? Faux painting. Works for me.

Royals attended Anglesey weddings as a matter of course. And royals stopped by Plas Newydd to play cards in the saloon (toffspeak for the main living room, where everybody gathers. If there are children, this is where they play checkers and race around on tricycles).

Show me a drawing room or saloon, any room where my betters relax, and I’ll head straight to the obligatory black-and-white framed photos, casually strewn on the grand piano or the museum-quality writing desk.

I love faded chintz, tastefully worn Persian rugs, and slightly shabby velvet.

I asked whether this little ceramic pair represented any couple in particular. No, the docent said, it’s just a prince and princess. This figurine was probably mass-produced, but somebody liked it enough to set it on a table alongside family heirlooms.

In another lifetime, maybe I was a British aristocrat–not a snooty one, but a slightly eccentric one who welcomed artists of all stripes. The artist Rex Whistler would have a permanent room in my mansion.

I’d look over Rex’s shoulder as he worked on whatever he wanted, maybe costumes and stage design for a production of Shakespeare’s “The Tempest.” I think this is Alonso, Prospero’s brother.

Caliban is spiky and green.

Miranda looks lovely, and remarkably like Caroline, a daughter of the family (to whom the artist was devoted).

The 6th Marquess of Anglesey had a fine sense of humor. These are his photos of his four daughters. I’m guessing that none of these daughters inherited any of the property. British families kept their estates intact by passing on everything to the oldest son. Most of them still do. But growing up as an aristocratic daughter looks like a pretty good life all the same.

In the breakfast room, there’s a special side table with a screened box to keep the family dogs away from the sausages.

The bedrooms were completely redecorated in the epitome of 1930s country house comfort and style. I’ll take the pink one, please.

I’ll be down for dinner when the gong sounds. Just let me fuss a bit more with my hair…

In the kitchen far below, servants bustle with pots and pans and silver platters. They sit down to their own dinners. Do they say grace after the meal instead of before? Sounds like it:

We thank the Lord for what we’ve had,

It wasn’t good, it wasn’t bad.

The sodduck was stale, the skilly was green,

But thank the Lord the plates were clean.

I’m blessed with a husband who likes old stuff as much as I do. We celebrated our 49th year of wedded bliss at Plas Newydd. This year, we made it to 50! I’d like to go back to Plas Newydd for a nice cup of skilly (tea), green or not.

Lord Anglesey, A Man of Parts

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Henry, the dashing 7th Marquess of Anglesey, came to mind this morning. In a burst of fall energy, I started madly cleaning out drawers, cupboards, closets and even the dreaded garage. I thought of Henry.

After a couple of strenuous hours of pitching and organizing things I had forgotten I owned, I sank into my softest chair and thought admiringly of Henry’s study at Plas Newydd in Wales. Henry was Marquess from 1947 until he died in 2013. In 1976, he gave Plas Newydd–“New Mansion”–to the National Trust, but still lived upstairs with his family. I think his heirs still live there, too. So would I.

Henry’s study, used daily during his lifetime, is a magnificent jumble of books, papers, drawings, photos, magazines, and who knows what else.

Another part of Plas Newydd displays stuff from the family’s colorful history. Henry was a distinguished historian, and well he might be. His ancestors included the first Marquess, Henry “One-Leg,” whose leg was shot off by cannon fire at the battle of Waterloo in 1815, while he was right next to the Duke of Wellington himself. On the occasion, Henry coolly said, “By God, Sir, I’ve lost my leg.” The Iron Duke replied, “By God, Sir, so you have.”

The Marquess had what remained of his leg amputated, with a stiff upper lip and no anesthetic, and was fitted with a wooden leg. Afterward, he fathered ten children and walked nine miles a day for the rest of his life.

But back to the 7th Marquess. He must have been something of an artist as well as a politician and a writer. He kept a special drawing table, under a window with good light. Of all the rooms in grand homes that I’ve seen, Henry’s study is one of my favorites.

I can see him happily puttering around, going from one table to the next. The jumble made perfect sense to him. He just kept a separate place for each one of his many projects. If only I had the space to do the same.

The other unforgettable room at Plas Newydd is the dining room. In 1936, the 6th Marquess commissioned Rex Whistler to paint the entire long wall as a mural.

The artist was happy to spend endless hours on the mural, partly because he was in love with one of the daughters of the family, whom he also painted. Tragically, Rex Whistler was killed in action in Normandy in July 1944, having insisted on fighting rather than serving in some less dangerous way. He had just arrived at the front.

I could spend hours taking in the detail of the Whistler mural, which is full of gentle humor and family references.

If I get to return to Plas Newydd, I’ll try to find time to look into the grounds and gardens, another interest of Henry’s.

Meanwhile, I’ll dream of having a room all my own, like Henry’s. “A man of parts” is the British term for a multi-talented Renaissance man.Henry is the best example I know of. Now, about my basement storage room…

There’s an article about the 1st Marquess at:

http://www.telegraph.co.uk/culture/books/11682406/The-Battle-of-Waterloo-is-this-the-most-British-conversation-ever-to-be-held-on-a-battlefield.html

Frederiksborg Castle: Renaissance in Knitting Needles

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Frederiksborg Castle in Denmark is a riot of Renaissance elegance. A recent exhibit featured a jaw-dropping collection of hand-knitted ensembles based on the costumes in royal and noble portraits in the castle.

I love the idea of knitting, but I’m terrible at it. A simple scarf from my hands turns into a lumpy mess. So I was in awe.

The source portraits were hard to identify in Danish, so I gave up and just enjoyed the knitted versions of the costumes. How about an artfully ruched sleeve on a simple gray sweater?

Or an elegant dress based on two portraits from the 1500s? I’d cheerfully wear this if I had an occasion fancy enough.

Perhaps an elaborate lace collar?

I’d wear this dress too, if the artist knitted me one in a different color combination. Maybe subtle blues and purples?

The same goes for the pantaloon-turned-skirt number, based on a portrait of one Captain Sir Thomas Dutton. I’ll take one in grays and blues, please.

Two of my favorite colors, and an Elizabeth vibe…

A peplum number in deep blue.

Textures and colors fit for a long-ago princess…

I’m not sure of the inspiration for this creamy white wool coat. It kind of looks like a gentleman’s long-sleeved undershirt, lovingly sewn by his lady. Whatever. Just ring it up. I’ll wear it home!

Join me next time for more explorations in the art, past and present, of Europe and the British Isles.

Rudyard Kipling’s Beloved Bateman’s

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1fac83c7-7594-479b-a24f-4643c42663f6 The Nobel prize-winning British author Rudyard Kipling died on January 18, 1936 in his beloved country home, Bateman’s, aged 70. The house is deep in the rural countryside of East Sussex, close to the site of the Battle of Hastings.

Public Domain portrait of Rudyard Kipling, from John Palmer’s 1915 biography

I have to confess I’m not really familiar with much of his work, but I loved visiting the home where he and his wife chose to spend the last 34 years of his long and productive life.

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They bought the house in 1902. It had no bathroom, no electricity, and running water was only downstairs. But Kipling wrote, “Behold us, lawful owners of a grey stone lichened house–A.D. 1634 over the door–beamed, panelled, with old oak staircase, and all untouched and unfaked. We have loved it ever since our first sight of it.”

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The house is now in the hands of the National Trust. Most of the furnishings are from Kipling’s happy time there. It is hard for us to appreciate just how famous this man was even before he was awarded the Nobel Prize for literature, but the house was a peaceful retreat from Kipling’s busy life–he was active in politics and journalism, besides literature, all his life. 9313938c-3171-478f-ad25-bc04c49b1791

His wife Caroline ran his affairs, working tirelessly in a tiny hidden office with a window looking out into the entry way, above and to the right of the fireplace. She kept an eagle eye on the many people who knocked on the door, seeking time with the great man. Not many were admitted when he was working in his study, pictured below. (We should all probably have someone like Caroline to turn off our internet when we want to get something accomplished).

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Kipling spent a good part of his working life in India and Africa, writing about both the glories and pitfalls of British imperialism. He wrote with foreboding about the difficulties–and the morality–of maintaining the global British Empire, which was still in its heyday during Victorian times.

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In 1915, at the outbreak of World War I, Kipling’s son John was wild to join the fight. He was rejected by both the Royal Navy and the Army because of poor eyesight. So Kipling used his connections to get his son into the Irish Guards. John Kipling was killed in the Battle of Loos, aged 18, having been sent in with reinforcement troops. He was last seen stumbling blindly on the battlefield, possibly from a face wound. His childhood bedroom, pictured above, is a poignant memorial to a lost son.

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I especially liked the dining room. The walls are covered with embossed leather brought from India.

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Above the fireplace is a painting that everybody in the family hated, but it was too good to get rid of. (Or maybe it was a gift from someone who was not to be insulted? I have items like that in my house, but I generally just get them out when the giver is visiting). The painting really is pretty ugly. It seems to show a naked crying baby, maybe with a mother or nanny wondering what to do.

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Mr. Kipling’s chair was placed so that his back was always to the hated painting.

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I think the kitchen must have had modern conveniences in the years leading up to Kipling’s death in the house in 1936. Now, it’s a serene mostly-empty space where National Trust volunteers and staff dry flowers from the gardens.

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Literary fashions come and go, even for Nobel prize winners. Having seen Rudyard Kipling’s country home, maybe I’ll find the time to dip into his writings. I’m sure Mr. Kipling would appreciate a visitor.

Join me next time for more explorations in the art and history of Europe and the British Isles!

Get-Well Wishes for QEII

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I just read that Queen Elizabeth is resting indoors for the second weekend in a row at her Sandringham home. She didn’t make it to church on Christmas. Now the word is that she may not be well enough to attend services on New Year’s Day either. She’s pictured above after delivering her annual Christmas address to the nation (photo from “Telegraph” article cited below).

I visited Sandringham about a year and a half ago and was royally wowed. No photos are allowed inside the house, but the grounds and gardens are spectacular.

Tourists enter through the same grand door as invited guests. The place is off the beaten tourist track. It’s way in the northern stretches of East Anglia, an area blessedly neglected by travel writers like Rick Steves. It took me many years and many trips to England to finally get there. That is the whole point, for the Royal Family. It is their private, personal residence–a place to really get away from it all.

Naturally, there’s a gift shop, well supplied with royal portraits, china, tea towels, and stuffed Corgis.

There’s a delightful museum, too, in the old stable block. It holds all sorts of bits and bobs of royal life. I was especially charmed to learn that Prince Philip (now 95) is a very decent painter. I loved his little painting of the Queen reading the morning papers.

I wrote about the parish church in two previous posts, cited below. It’s one of the most beautiful small churches I’ve ever seen. Each year, locals and a few tourists line up along a fence to watch the royals walk to church on Christmas, and this year on New Year’s Day too.

I hope the Queen is well enough to walk over to her pretty little local church and take part in prayers for New Year’s Day. Whether she makes it to church or not, I wish my favorite 90-year-old reigning queen a happy and healthy 2017.

https://castlesandcoffeehouses.com/2015/07/06/a-royal-christening-at-sandringham/

https://castlesandcoffeehouses.com/2015/05/07/sandringham/

https://castlesandcoffeehouses.com/2015/04/30/the-queens-church-at-sandringham/

http://www.telegraph.co.uk/news/2016/12/31/queen-may-attend-church-new-years-day-decision-expected-sunday/

Waldemarsudde: Favorite Room in Favorite House in Favorite City

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Considering the national election turmoil that’s going on in the USA this week, I’d like to transport myself to a more peaceful place: Prince Eugene’s blue-and-white dining room in his beloved lakeside home in Stockholm, Waldemarsudde.

It looks inviting, don’t you think? Come on in and have a seat at the table. Here, between about 1900 and his death in 1947, the Prince entertained his friends, fellow artists, writers, and the odd anarchist.

Eugene’s state-of-the-art kitchen, all shining white tiles, is now a little cafe. Photos of the Prince decorate the walls.

Eugene was a handsome fellow, and must have been a charming companion. He fulfilled royal duties when asked, but mostly he lived his own life exactly as he pleased. As a younger son of the monarchy, he was under no pressure to marry.

Whatever his lifestyle choices, it appears the Royal Family left him in peace, to pursue his art and his friendships. In his Salon, Ernst Josephson’s painting “The Water Sprite,” 1884, dominates the room. It was considered so scandalous at the time that the Academy in Stockholm didn’t dare to accept it as a gift. I don’t think the nudity was the problem; it was the new-fangled Symbolist style.

Eugene hung a portrait of his mother, Queen Sofia, directly across from the daring Water Sprite. She gazed gently and benevolently on her son’s private goings-on, however raffish. I’m guessing Eugene was a loving son who never caused his mother much worry.

Eugene loved flowers. His sunroom, overlooking the water, was always blooming.

He designed a pretty ceramic flowerpot that’s still in use all over Sweden. I’d have brought one home if I didn’t always travel light.

I’m already planning a return trip to Stockholm in the spring. I’ll see Eugene’s flowerbeds filled with tulips, I hope.

Meanwhile, I can dream of my favorite room in my favorite house in my new favorite city, Stockholm.

Join me next time for more explorations in the art and history of Europe!

Eugene, the Painter Prince of Sweden

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Prinz Eugen, Duke of Narke, 1910, painting by Anders Zorn, Public Domain

If I were born royal, I’d for sure want to be a younger child. It looks to me like Prince Harry has a lot more freedom than the more direct heir to the throne, Prince William. In Sweden, Prince Eugene was the fortunate younger son of the royal family in the late 19th century.

Eugene was born in 1865 in Drottningholm Palace, on a beautiful island about an hour by boat from Stockholm. It’s still the home of the Swedish royal family, and makes for a dreamy visit. Eugene was fourth in line to the throne, so he was pretty much free to do as he liked. Nobody expected him to marry and produce an heir, although he did cheerfully carry out many royal duties.

What Eugene wanted was to paint and to hobnob with artists and writers. He found the perfect spot for his home on the island of Djurgarden, with views over the water of the Stockholm skyline. He studied painting seriously, in Stockholm, Olso and Paris.

Today, his beloved home, Waldemarsudde, is an enchanting museum with the rooms left as they were at his death in 1947.

His top-floor studio space is a gallery with rotating exhibits, some by artists the Prince patronized during his long life.

In his studio and on his peaceful grounds, Eugene contentedly painted the Swedish and Norwegian landscapes he loved. The painting just above is a beloved country home where he spent time.

Eugene decorated his home with the work of other artists who were his friends. He considered “The Water Sprite” by Ernst Josephson, 1884, to be one of his best acquisitions. Josephson did three versions of this painting of a character from Swedish folklore. Eugene offered it to the Academy in Stockholm, but they considered it too daring to accept. It seems the problem was not so much the nudity as the style. Josephson was breaking away from the time-honored traditions of Realism and Naturalism. He was getting into the movement that later became known as Symbolism. Eugene was more than happy to keep the painting, which dominates his salon.

Inside Waldemarsudde, Eugene studied, read, and entertained his friends–most of them artists, and many of them partisans of the then-radical ideas of the 1880s. Although he was named the Duke of Narke at his birth, Eugene much preferred artists to royalty.

Having seen Drottningholm Palace, the Royal Palace in Stockholm, and Waldemarsudde, I’m with Eugene. The palaces are showplaces, gilded, confining, and a little dreary. Waldemarsudde is a light-filled home. I’d choose the artist’s life over the Royal Prince’s any day.

Join me next time for more explorations in the art and history of Europe!

Kalmar Castle Doorways

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Kalmar is a pretty town on the Swedish Baltic coast. It has a spectacular Renaissance castle on a site that was of strategic importance for many centuries, starting about 800 years ago.

Naturally, it has spectacular doorways, beginning with the dry-moated entrance.

Some of the doors are clearly defensive.

Some are more decorative, but still formidable.

Some are meant to impress and possibly intimidate, like the one just past the drawbridge.

This door features the regal lions of Sweden.

Inside, doorways reflect the luxurious tastes of kings and queens.

The doorways of Kalmar Castle are all worth entering. Everything is more spare than Renaissance castles and palaces in England, Austria, Germany, France or other European countries. But that very spareness has its own Nordic elegance. The castle is a fascinating look at the unique ways that Renaissance ideas played out in Scandinavia.

The shop has books about Elizabeth I and Mary Queen of Scots, apparently because most of the major rebuilding and decoration of the castle was done during their lifetimes. And at least one Swedish prince was known to have courted Elizabeth I. Of course, we all know that she said “No!” to marriage. But at the time, Sweden was a great naval power. I wonder if Elizabeth gave some serious thought to a Swedish alliance. How might history have been different if she had said “Yes!” to a Swedish prince?

Castle doorways always lead me to questions like this. It’s why I travel.

Palatial Bathrooms

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I’m about to get on a plane, so naturally my thoughts turn to bathrooms. The bathroom is one of my main concerns when booking a place to stay. I’ll be in Scandinavia, a part of the world I’ve never visited. While I wonder what my luck will be on bathrooms, I’m looking at pictures of bathrooms in the stately homes of Great Britain.

I like a nice hot bath after a long day tramping a city or country lanes. But the owners of Erddig in Wales were proud to own one of the first showers, a newfangled and somewhat alarming contraption in the late eighteenth century.

They commissioned an artist to depict family members lining up for showers, and looking none too happy about it. Why the dunce caps?

At Plas Newydd, a palatial country home on the water in Wales, the Marquis enjoyed his leisurely baths with his valet in close attendance. His bathtub had a handy window to the hallway, so the valet could hand him a fresh drink every now and then.

But at some point, the plumbing failed, as the rubber ducky warns visitors. (Once when I was a houseguest, I got up early to use a bathroom off the host’s kitchen, thinking I wouldn’t wake anyone. It turned out that the tap should have had a warning. It had not been used in years, and I caused a flood).

Still, I’m not alone in wanting my hot bath. When Lord Curzon took over Montacute, a grand Elizabethan house in the early 1900s, he appreciated the ancient architecture.

But he found a way to shoehorn a secret bathtub behind the priceless old panelled bedroom wall. (His mistress, the beautiful and accomplished novelist Elinor Glyn, was happily decorating and refurbishing the house when she received word that Lord Curzon was engaged to Grace Hinds, an equally beautiful but also very rich American. She packed up and left in a hurry, but I like to think she enjoyed one last bath).

I think the ultimate in luxury would be a hand-drawn bath in front of the fire, like the one at Standen, an Arts and Crafts mansion built in the late 1800s as a family retreat for a wealthy businessman. Life for the servants who had to haul the water was not so pleasant, of course. In this house, a maid left a recorded account of the day she finally was allowed “upstairs.” It was the day the house was opened to the public by the National Trust. She had toiled “below stairs” in the scullery for her entire working life, not even allowed to haul water upstairs.

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I hope this hard-working scullery maid at least had a foot bath for her aching feet, like this one below stairs at Wimpole.

As for me, I’m hoping for the best when I check in on my travels!