Category Archives: Explore Europe

Love in the Air in Copenhagen

Every Saturday, couples in love keep appointments in Copenhagen’s beautiful and romantic City Hall.

It seems to be THE prime wedding venue in Denmark.

Possibly a formal tour would include the actual wedding hall.

But we were there on a busy Saturday, and without an invitation, we got only as far as a beautiful anteroom where friends and relatives gather.

Romantic frescoes cover the walls.

What’s this story about? I can’t read Danish, but I’m pretty sure it’s a love story.

Kids run around on the intricate tile floor.

Families gather, anxious to take their parts in the back-to-back ceremonies scheduled all day.

Happy couples pose for photos in the stairwells and hallways.

That great Danish Romantic, Hans Christian Anderson, watches couples come and go. (Sadly, the great love of his life was unrequited and he died a single man).

Maybe the newly married leave with some design ideas for their new homes? I certainly would. The City Hall is grand, yet most of the design elements look handcrafted. I’m going to copy some motifs myself.

Happy Valentine’s Day from Copenhagen!

Swan Maidens at Oslo City Hall

I was just planning on a quick walk-through of the building, which honestly is not to my taste. But the courtyard has sixteen large wood reliefs, each about eight feet tall, by Dagfinn Werenskiold. They portray Norse myths from the 13th century. He had me at the Swan Maidens. Legend has it that three Valkyries appeared on a beach one day in the form of swans. They turned into beautiful women, married three brothers who happened along and couldn’t believe their good fortune, and stayed fourteen years. Then they flew away. I don’t know the end of the story, but the Valkyries are beings that fly over battlefields, deciding who will live and who will die. Did the brothers later fight in battle and get saved? Or had they maybe left the toilet seat up one time too many? The answers are lost in the mists of time.

The Oslo City Hall replaced a slum in the middle of the city, directly on the Oslo Fjord. The exterior style is listed as “Functionalism,” which sums it up. The architects were Arnstein Arbeberg and Magnus Poulsson. It was partially built by 1939, but then World War II intervened and it was finally completed in 1950. The spectacular interior more than makes up for the so-so exterior.

Inside, the grand rooms were decorated by the finest Norwegian artists, chosen by competition. The details above are from Henrik Sorenson’s huge mural “The Nation at Work and Play.”

It dominates the Main Hall, where the Nobel Peace Prize is awarded every year.

The rear wall features a mural by Alf Rolfson.

I like the “smaller” rooms even better. The Festival Gallery has windows looking out over the fjord, and a beamed and painted ceiling. Of course there are Viking motifs, like this creature inset in the marble floor.

Axel Revold covered the end wall with a mural depicting the long, narrow country of Norway from north to south.

Aage Storstein, a young up-and-coming artist, painted the West Gallery with images of freedom and democracy. I don’t really understand the history or the politics, but a captive princess and a bear depict the centuries that Norway was in union with Denmark (not exactly willingly, it seems).

My favorite room is a smallish one, the East Gallery. Per Krogh considered it his masterpiece.

The beehive represents city life and the rosebush country life.

He painted an uprooted tree as a rose window.

So much for a quick walk-by of a boring city building. I wandered in the Oslo City Hall for a long time. Outside, I admired Dagfinn Werenskiold’s wooden carvings again. How about Odin on his eight-legged horse Sleipner?

Or ponder “Embla,” an elm tree turned into the first human woman in a Nordic creation story.

Her partner was Ask, a man created from an ash tree.

I was so inspired by Norse mythology that when I recently had an art-class assignment to do a painting that tells a story, I tried my own Swan Maidens. They’re creepily faceless right now while I work out how to do noses and eyes and chins and mouths. Meanwhile, I’ll enjoy my Nordic memories.

Join me next time for more explorations in the art and history of Europe!

Happy and Hopeful 2018 to All

Carefree children dancing: a nice image for the New Year.

These large relief panels by Luca della Robbia were commissioned in 1431 for the organ loft in Florence’s Cathedral.

I’d never get near the organ loft, so I’m glad somebody made the decision to install them in the newly-renovated Museo dell’Opera del Duomo, just across the street.

There are ten of them, with the overall title “Cantoria.” They’re designed to reflect the joy of music, and they make me think of the joy of new beginnings.

In our world, of course, being a child is not all sweetness and light. It never was.

I loved this very large painting by the French artist Jules Bastien-Lepage, 1880. He was not as well known as other French painters, but he was a leader in the developing Naturalist school, where the point was to see the world as it really was. He influenced later painters like Claude Monet. This painting is in the wonderful French collection in Copenhagen’s Glyptotec.

The title is “The Beggar.” In it, an elderly beggar dressed in rags turns away from a doorway. Did he receive something in his bag? Maybe, but nothing that would change his life. The woman in the background is already occupied with something else, finished with the encounter one way or the other. But the little girl in the blue dress would like to do more for him. Her face registers shock and profound sorrow and reluctance to see the old man leave. She hasn’t yet learned any of the rationalizations adults use when we turn away from someone else’s suffering.

I hang out with kids every chance I get. I love their energy and open minds. I don’t want them sitting quietly in rows–I want them up and moving and laughing.

I’m often “the teacher” and therefore the one presumably imparting wisdom. But children are the ones with wisdom. Kids are the true Superheroes who ALWAYS come out in favor of honesty, fairness, generosity, and including everybody. And they always manage to create their own fun, no matter how intent the adults are on a serious lesson. They’re our future.

I think a good beginning for 2018 would be to talk to our children about what they’d like for our world, and then follow their lead. What if we put them in charge for awhile? Happy and hopeful New Year!

Listening for the Siren on the Flam Railway

Nobody goes to the Sognefjord without riding the Flam Railway. It’s only 20 kilometers, but they’re all vertical kilometers. The average gradient is 1 to 18.

The math meant nothing to me until I got on the train and looked out the window.

The trick is to avoid crowds. Going off-season helps, but there are still cruise ships. In early June, we bought tickets only after asking the friendly agents for advice. They know exactly how many cruise passengers are getting off their boats and clamoring for seats at any given time.

Our reward was having plenty of room on the train to spread out and rush from side to side of the compartment to take in the ooh! and aah! views.

The 50-minute trip snakes through 20 tunnels, each one a feat of Norwegian engineering. But it’s pretty much impossible to get a good picture of a tunnel. The train is privately run now, but it’s not just a tourist train. When it was opened in 1941, it made tiny mountain settlements accessible and provided much-needed connections to main railway lines.

The ride passes countless waterfalls, but the highlight is the Kjosfossen. The train stops for a few minutes and passengers step out onto a platform for a photo op with 93 meters of watery spectacularness. OK, I made up that word, but it fits.

Who knows how many gallons of water roar past the platform, especially in spring when snow is still melting at higher altitudes? We took pictures.

Then, Twilight Zone music started blaring from loudspeakers and a lady in red emerged in the waterfall mist above us, dancing and beckoning. She must have had her own dancing platform, halfway up the waterfall. An amplified voice proclaimed a legend about a water sprite who tries to lure men to join her in the Kjosfossen–a Norwegian siren.

The sirens of Greek mythology were beautiful women who tried to lure sailors with enchanting music, crazing them into crashing their ships on rocks.

I hoped the siren’s platform was dry and she didn’t slip. And I wondered if the job paid well. It looked like fun. And she probably didn’t have to hear the blaring music above the roar of the falls.

At the top of the train ride, at Myrdal, some people got out to connect with the Bergen-Oslo train. My son realized that he could rent a bike and ride the switchback road back down the mountain to Flam. I handed him my gloves and hat and sent him on his way. Later, he reported that the bike ride was actually pretty gentle if he took it slow. He said it was the bike ride of a lifetime. If I went back when the roads were clear, I’d do it.

The scenery on the trip down was the same, with no stop at the Kjosfossen.

While we waited for our biker in Flam, we amused ourselves in various ways.

Flam has a lot of shops, cafes, and an excellent historic railway museum.

Is the Flam Railway really worth all the Norway in a Nutshell hype? Well, this part of the Nutshell only takes a couple of hours if done independently, and I would do it again. I’d like to see it in the deep snows of winter, and I’d like to do the bike ride down in good weather. But I would not like the train ride in lockstep with a big group, which is what you get if you book a Norway in a Nutshell tour. I can’t stand the feeling of being herded from one place to another. Still, I know the tour would be an efficient and exciting way to get out into fjord country.

Really, though, I was happier when we were wandering on our own around the Sognefjord. There’s stunning scenery and hundreds of waterfalls everywhere.

And I like to spend time with the locals, including the sheep.

Tivoli in Springtime


I’m not big on amusement parks. In fact, I’ve successfully avoided taking either children or grandchildren to Disney World ( bad grandma!)


Rides either terrify or bore me. But I loved Tivoli in Copenhagen. The park opened in 1843, just outside the west gate of the still-walled old city.


King Christian VIII was worried about social unrest at the time. Workers all over Europe were annoyingly demanding higher wages and shorter hours. The founder of the park, George Carstensen, convinced the king that if the people have a place to amuse themselves, “they do not think about politics.” As the city expanded, Tivoli became almost the center. That’s the tower of the City Hall in the background.


I visited at twilight because I wanted to see the fabled lights.


The daffodils were perfect.


So were the thousands of tulips. In fact, the flowerbeds were so perfect that I wondered if gardeners came in nightly and replaced them with fresh plants straight from a greenhouse.


A rock band was getting ready to set up at the Chinese theater. The theater dates from 1874.


The pagoda sparkled.


Families strolled and let cotton candy melt in their mouths.


A pair of peacocks wandered into a restaurant.


There are any number of restaurants, plain to fancy, plus food carts strategically placed.

Tivoli has many faces.


Raincoats for sale? Sure. It rains quite a bit in Copenhagen.


Hans Christian Andersen, 1805-1875, is pretty much the secular patron saint of Denmark. He loved Tivoli Gardens. In 1965, the city put up a bronze more-than-double life size statue of the writer of at least 125 fairy tales, just outside City Hall. He’s holding his place in a book while he gazes up at the bright lights of Tivoli across the street. His knee is brightly polished because everybody sits on his lap for a photo. The sculptor was Henry Lucknow-Nielsen.


Across town, the wistful sculpture of Andersen’s Little Mermaid draws rowdy crowds from the nearby cruise port. It may be all some people really see of Copenhagen.


Minus the crowds, the mermaid is lovely. She seems to ignore the busy harbor behind her. I’m sure she dreads the rowdy cruise-boat crowds, but maybe she’s off in her own world. Edvard Eriksen created her in 1913.

Tivoli in springtime did not disappoint. I loved Copenhagen so much that I’m going back in December (cheap off-season airfares helped).

Will it be cold? Afraid so. It was cold enough for mittens and wool hats in early May. But I expect Chrismastime in Scandinavia to be a fairy-tale experience. Plus there may be snow!

Join me next time for more explorations in the art, literature and history of Europe!

Should I Learn Swedish?


Major disappointment: the first time I went to Sweden, I kept seeing signs that said “Runt Hornet” on doors. I was enchanted. What a fine way to say “Ring the Doorbell!” Then I saw this sign on the corner of a building and went to investigate. Bummer! It actually meant “Round the Corner.” Oh, well, it still sounds cool.


And “Obs” must mean “Careful!”, especially if it’s printed in red.

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Smoking is “rokning.” I like the sound of the words.


Ok, I freely admit I’m a klutz in any language. Obviously, I don’t want to run for my train and risk “snubbeling.”

There are practical reasons to know the language.

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Every breakfast buffet has a big tube of this stuff. I thought it was some kind of hummus.


No such luck! It’s really “Fish Roe Paste.” Not my favorite. In fact, I had to discreetly spit it into my napkin and then look around for something to erase the taste. Lingonberry sauce?

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Sometimes, admittedly, words are not needed.


Sometimes, I’m not even interested in the words.


I don’t really want to know the translation of this sign in a subway car in Stockholm. For me, it says, and always will say “Sucks your job?” Or, for English speakers, “Does your job suck? Call this number and we’ll hook you up with a better gig.”

One big point in favor of learning some Swedish: it’s the second language in Finland. And the Finnish language looks much, much harder to learn.

In Finland, almost every single sign and caption is printed in both Finnish and Swedish. English is hit or miss.


At the Helsinki dog park near where I stayed in April, the rules are spelled out in great detail. Finnish and Swedish speaking dogs are all set. English-only speaking dogs are out of luck.

Yup, I guess this is telling me something. After years of traveling in French and German-speaking countries where I can at least muddle through with the native languages, I’ve found that  I love Scandinavia. Time to learn a little Swedish.

Now, about those Danish and Norwegian languages…

Helsinki Design Museum


Past and present are comfortable together in Helsinki. The Helsinki Design Museum occupies a neo-Gothic building designed by Gustaf Nystrom in 1894.


Inside, it’s the liveliest and most forward-looking museum I saw in Helsinki.


It’s all about beauty and color…


and form and function.


This intriguing outfit was part of an artist’s MFA project.


A Finnish necklace, designed by Bjorn Weckstrom in 1977, adorned Carrie Fisher as Princess Leia in the final triumphant scene of  “Star Wars.” (May the Force still be with her).

Finnish design is more than fashion, though. Finns are a practical lot whose work has found its way into all our lives.


Doesn’t everyone own at least one pair of orange-handled Fiskars?


Nokia’ first cell phone was about the size of a lunchbox. But the design kept getting smaller and better.


I especially liked a display by designers working on solving the problems so many women across the world face: giving birth in less-than-ideal conditions.


Designers have come up with portable, easily manufactured childbirth beds and chairs.


How about a portable shower stall?


Worn out from admiring all that fine design? Take a break in Eero Aarnio’s iconic Bubble Chair, a classic since the day he invented it in 1968! After a bit of a rest, head out to enjoy more of Helsinki.

Join me next time for more explorations in the art, from ancient to contemporary, of Europe, Scandinavia and the British Isles.

Frederiksborg Castle: Renaissance in Knitting Needles

Frederiksborg Castle in Denmark is a riot of Renaissance elegance. A recent exhibit featured a jaw-dropping collection of hand-knitted ensembles based on the costumes in royal and noble portraits in the castle.

I love the idea of knitting, but I’m terrible at it. A simple scarf from my hands turns into a lumpy mess. So I was in awe.

The source portraits were hard to identify in Danish, so I gave up and just enjoyed the knitted versions of the costumes. How about an artfully ruched sleeve on a simple gray sweater?

Or an elegant dress based on two portraits from the 1500s? I’d cheerfully wear this if I had an occasion fancy enough.

Perhaps an elaborate lace collar?

I’d wear this dress too, if the artist knitted me one in a different color combination. Maybe subtle blues and purples?


The same goes for the pantaloon-turned-skirt number, based on a portrait of one Captain Sir Thomas Dutton. I’ll take one in grays and blues, please.

Two of my favorite colors, and an Elizabeth vibe…

A peplum number in deep blue.

Textures and colors fit for a long-ago princess…


I’m not sure of the inspiration for this creamy white wool coat. It kind of looks like a gentleman’s long-sleeved undershirt, lovingly sewn by his lady. Whatever. Just ring it up. I’ll wear it home!

Join me next time for more explorations in the art, past and present, of Europe and the British Isles.

Christiania: Danish Hippie Haven

In 1970, a peaceful invasion took place in Copenhagen. A  small group of anarchists broke through a fence and took over the grounds of a former military barracks.


The area had defensive ramparts dating from the 1600s, when Denmark fought endless battles with Sweden. After about 1950, the military more or less abandoned the site. Hippies moved in and set up shop, making up the rules as they went along. They eventually gained legal use of the land and became one of the top tourist attractions of Copenhagen, right up there with Tivoli Gardens.


Today, about 900 people live in Christiania. Over the years, they’ve worked out ways to police themselves and cooperate with local authorities to provide some services. But it’s still all about freedom, just as in 1971.

I ventured inside early on a sunny but chilly spring morning. What would I find?


I had read that photos were generally ok, but to ask permission before taking any photos of people–especially those selling marijuana, which is illegal but freely sold when police are not around. Maybe it was too early, or maybe I was oblivious, but I didn’t see anything remotely like a drug deal. Residents themselves outlawed “hard drugs” some years ago, and they enforce the rules strictly.


Much of the artwork was a throwback to the psychedelic 60s and 70s.


Other murals looked more contemporary. I liked it all.


I liked the sculptures too.


I didn’t bring a skateboard! Too bad.

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Hippies were the first great recyclers. They figured out how to survive and thrive on the leftovers of materialism. Christiania has a huge warehouse stocked with recycled toilets, sinks, bathtubs, stoves and refrigerators, and all kinds of building materials.


The community depends on tourist traffic. Restaurants look friendly and appealing, but there are probably no Michelin stars.


Venturing out of the main tourist area, I found charming handcrafted homes, bright with flowers.


Nobody is allowed to actually own a home or property in this enclave. If a resident leaves, the community decides whether to invite someone else to move in. I’ve read that about 180 of the original residents remain.


After I left, I learned that tourists had been assaulted for taking pictures of residents. I figured this dog, supervising the warehouse, wouldn’t mind.


There are plenty of grungy sights within Christiania, but my impression was of a tranquil haven of social freedom. Yes, I’d go back!

Travel offers so many doors to open! Join me next time for more explorations in the art and history of Europe, the British Isles, and Scandinavia.

Easter Time in Helsinki


Helsinki in early April is chilly and blustery.  All the children are bundled up in one-piece snow suits. I was wishing I had one! Finland is not a place for religious pageantry and parades as in Southern Europe.


The Lutheran Helsinki Cathedral is impressive in its grand spaces, but very austere. Aside from Martin Luther gazing skyward, there’s not much to look at. And (at least on an admittedly quick stop) I didn’t see a children’s corner with little chairs, or posters about bake sales, or ladies dusting things, or a single clergy person.


The National Museum of Finland was a much more church-like experience. This pulpit is from the church in Parainen, Finland, dated 1650. At the time, Finland was a frontier to the west of Sweden–and very handy as a buffer between Sweden and Russia. Newly built churches were required to have pulpits. Lutheranism was the state religion of Sweden, and everybody was expected to sit still for it or else.


This pulpit is from the Kalvia Church, around 1726.  I like the cloudy heavens painted on its ceiling just above the preacher’s head.


Wait, there are hourglasses? Four of them? How long is this sermon going to be, anyway? Better not ask.


My favorite item was an altarpiece depicting the Last Supper. It’s from the Ylane Church, dated around 1675.


The faces are friendly and everyone is having a nice time together. There seem to be only 11 apostles. Apparently Judas has already left the building.


Jesus (with spiky sun-ray halo) seems to be holding a child in his lap. So the story is maybe doing double duty here: “Let the little children come unto me.”

The museum also had wonderful religious wood carvings dating back as far as the 1200s. I liked St. Martin on his horse, about to share his warm cloak with a beggar. He was carved and assembled from several pieces of wood around 1320.


I gazed for awhile at the Archangel Gabriel, carved and gilded around 1500.


Then I was back on the friendly but chilly streets of Helsinki, wishing I had a striped snowsuit and a red polka-dotted hat with flower ears.