Category Archives: Italian History

Julius Caesar and the Ides of March

In the midst of the most turbulent American political season in decades, I recently re-read Shakespeare’s play Julius Caesar. His source was mostly the historian Plutarch. The play is still relevant, and still illuminating on the subjects of loyalty to others versus loyalty to country, honest differences of political opinion, the uses and abuses of power, and whether and when violence is justified. And because it’s Shakespeare, every word is memorable. In history and in the play, Julius Caesar meets a bloody end.  But  Shakespeare gave him some memorable lines before he went down.  In the play, contemplating his risks, Julius Caesar says, “Cowards die may times before their deaths; the valiant never taste of death but once.”

This day, the 15th of March in year 44 B.C., did not work out well for Julius Caesar.  According to the historian Plutarch, a fortune-teller warned Caesar that something terrible would happen to him before the “Ides of March.”  There were other warnings, too:  a graphically violent dream by Caesar’s worried wife Calphurnia, men seemingly walking around on fire in the marketplace, a lion wandering the streets. Confident (or foolhardy) fellow that Julius Caesar was, he laughed at the portents and predictions. He even gloated, as he made his way to the Roman Senate on that morning.  When he reached the Theater of Pompey, where Senate sessions were being temporarily held, he figured he was home free.  But a lethal circle of assassins awaited him, knives concealed under their togas. Calphurnia’s nightmare came horribly true.

"Death of Caesar," 1798, VIncenzo Camuccini, public domain

“Death of Caesar,” 1798, Vincenzo Camuccini, public domain

Julius Caesar’s death marked the end of the Roman Republic and the beginning of fierce civil wars that eventually led to the formation of the Roman Empire–a period that was stable, but definitely not democratic. Julius Caesar had already more or less ended the Republic:  at the height of his power, he had named himself “Imperator.”

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Could Caesar have avoided his violent end? Given his personality and supreme self-confidence, he probably could not. He had refused to resign when the Senate politely requested that he step down, and with one of his legions he had defiantly crossed the Rubicon River into Italy.  That was strictly forbidden. Military conquest was for the frontiers. Rome was for reasoned debate among civilized men.  Ever since Julius Caesar’s audacious and risky march across that border river, the expression “crossing the Rubicon” has meant a fateful and irreversible action. There was no turning back, for Caesar or for Rome.

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Looking back over the centuries, it appears that the common people loved Julius Caesar for his flamboyance and for the military glory he had brought home to Rome. But his aristocratic peers saw only danger ahead. They decided that Caesar had to go. Once he was safely dead and out of the way, his heir, Octavius, obligingly made Julius Caesar a god. No danger there, and the move placated the restive common people.

HauntingForum

Today, the Roman Forum is a haunting place to wander, pondering the ups and downs of history. When I visited, I bought a book with clear overlays which shows how the various buildings must once have looked back in the day.  But even without a visual aid, it is not hard to imagine Julius Caesar and his entourage making his way through the Forum on his way to the Senate session on that fateful day, the Ides of March in 44 B.C.

Join me next time for more explorations into the art and history of Europe!

The Ides of March

In the midst of the most turbulent American political season in decades, I recently re-read Shakespeare’s play Julius Caesar. His source was mostly the historian Plutarch. The play is still relevant, and still illuminating on the subjects of loyalty to others versus loyalty to country, honest differences of political opinion, and whether and when violence is justified.

This day, the 15th of March in the year 44 B.C., did not work out so well for Julius Caesar.  According to the historian Plutarch, a fortune-teller warned him that something terrible would happen to him before the “Ides of March.”  Confident fellow that Julius Caesar was, he laughed at the prediction and even gloated, as he made his way to the Roman Senate on that morning.  He figured he was home free.  But assassins awaited him at the Theater of Pompey, where Senate sessions were being held temporarily.

"Death of Caesar," 1798, VIncenzo Camuccini, public domain

“Death of Caesar,” 1798, VIncenzo Camuccini, public domain

Julius Caesar’s death marked the end of the Roman Republic and the beginning of fierce civil wars that eventually led to the formation of the Roman Empire–a period that was stable, but definitely not democratic. Julius Caesar had already more or less ended the Republic:  he had named himself “Imperator.”

Events excalated. Caesar refused to resign when the Senate politely requested that he step down, and with one of his legions he defiantly crossed the Rubicon River into Italy.  That was strictly forbidden. Military conquest was for the frontiers. Rome was for reasoned debate among civilized men.  Ever since Julius Caesar’s audacious and risky march across that border river, the expression “crossing the Rubicon” has meant a fateful and irreversible action. There was no turning back, for Caesar or for Rome.

Looking back over the centuries, it appears that the common people loved Julius Caesar for his flamboyance and for the military glory he had brought home to Rome. But his aristocratic peers saw only danger ahead. They decided that Caesar had to go. Once he was safely dead and out of the way, his heir, Octavius, obligingly made Julius Caesar a god.

HauntingForum

Today, the Roman Forum is a haunting place to wander, pondering the ups and downs of history. I bought a book with clear overlays which shows how the various buildings must once have looked.  But even without a visual aid, it is not hard to imagine Julius Caesar and his entourage making his way through the Forum on his way to the Senate session on that fateful day in 44 B.C.

Join me next time for more explorations into the art and history of Europe!

How Brunelleschi Gave Us Perspective

Filippo Brunelleschi, the genius who figured out how to build the spectacular octagonal dome of the Florence Cathedral, is often credited with inventing linear perspective around 1420.  Actually, his great rival Lorenzo Ghiberti would beg to differ.  So would the Arab mathemetician known as Alhazen, who lived around 965-1040.  A copy of Alhazen’s work on the subject, with notes by Ghiberti, is in the Vatican Library.  The ancient Greeks and Romans had the knowledge too, but it was lost in the Middle Ages.  So Brunelleschi’s work was really more of a rediscovery.

What exactly is linear perspective?  It is the technique of making an image in two dimensions–a flat surface–appear to be in three dimensions, with depth.  As a not-very-good, self-taught painter, I’m always looking for ways to make my paintings less bad.  Awhile ago, I bought a kit that promised to help me:

Linear Perspective Kit

Linear Perspective Kit

The kit consists of various frames and grids.  If I had the patience to actually work with the kit, I could create more realistic paintings by establishing a vanishing point, a horizon line, and accurate diagonals.  While writing about Filippo Brunelleschi, I realized that the illustration on the cover of my kit depicts the master’s famous demonstration of linear perspective.  The building shown on the cover is the Baptistery of Florence.

Florence Baptistery

Florence Baptistery

The hexagonal building stands directly across from the Florence Duomo. Brunelleschi stood in the doorway of the still-unfinished cathedral.  Using the rediscovered calculations and techniques of perspective, he painted a very accurate picture of the Baptistery.  (We could take a photo, but there were no cameras in his day). Then he poked a hole in the canvas and looked through the back of the canvas at a mirror.  When he quickly moved the mirror away, the viewer could see how accurate the painting was.  Very quickly, every Renaissance painter worth his salt began using the technique.  It was part of the new realism that swept the art world after centuries of art that was much more symbolic than realistic.

The Baptistery was constructed sometime between 1059 and 1128.  Right up into the 19th century, this was the place every Florentine Catholic was baptized. In about 1400, new doors were needed.  The city fathers held a competition for the plum job of creating bronze doors for this very important building.  Brunelleschi was 21 at the time; Ghiberti was barely 20.  The younger pup won.  Ghiberti ended up working on these doors, plus a subsequent set, for pretty much the rest of his life.  It took him 20 years to finish the first set of doors and 25 more years for the next set.

Brunelleschi was disappointed; this may have been one reason he turned his talents to architecture and design.  Personally, I think he was lucky he lost this competition. It enabled him to enter and win the one for the cathedral dome.  Both men became famous and had illustrious, well-paid careers.  But today, it is hard to fully appreciate Ghiberti’s work even when standing right in front of the doors.  We’ve lost our taste for intricate bronze reliefs.  Brunelleschi, on the other hand, got to spend 16 years on a complex project in the open air of Florence, while everyone in the city discussed and admired his work.  Today, every visitor can admire the Duomo from countless vantage points in and around the city.

The most famous image of Brunelleschi is a large statue that shows him gazing up at the crowning achievement of his life, the dome of the cathedral.

Photo by Richardfabi, released to public domain

Photo by Richardfabi, released to public domain

Leonardo da Vinci remarked, “Perspective is the rein and rudder of painting.”  Now, maybe I had better get that kit off the shelf and get to work painting.

Join me next time for more explorations into the art and history of Europe!