Tag Archives: Sir Joshua Reynolds

Winter as a Child, Again

It is just over a year since I started my blog. I decided to revisit my very first post, written when I was getting ready to travel to Vienna for the Christmas markets, the concerts and the museums–and of course the apple strudel. Now I’m lucky enough to be leaving again for Vienna, one of my very favorite places. Here’s to discovering new places and revisiting old ones! A year ago, I wrote:

Travel is not just about being there. Travel is about memory and anticipation. As I pack my one small suitcase for Vienna in November, I am full of memories of past trips and high hopes for this one.

: Lady Caroline Scott as Winter; image from Commons Wikimedia

Last year, the Vienna Kunsthistorisches Museum had a special exhibit: “Winter Tales.” Paintings, sculpture and artifacts from all over the world were gathered in a glorious celebration of winter. My very favorite piece was this portrait of a child with a fur-and-velvet muff and a scruffy little dog impatient for her to play: “Lady Caroline Scott as Winter,” by Sir Joshua Reynolds. Winter is so often personified as Death, or as a creaky old man. Here, though, winter is a child full of hope and wonder. She gazes out at us from the barren winter grounds of her British home, her face as fresh as the day she was painted in 1776 at the age of two or three.

This is not a glamorous society portrait. It is only about 57 x 45 inches (just the right size to place over my fireplace, if I could afford such a thing!) I can imagine the artist Sir Joshua Reynolds, age 51 at the time, encountering Lady Caroline in the bare winter grounds of her home. Anyone would be captivated by her rosy-cheeked face and direct gaze. I can see Sir Joshua dashing off a sketch and finishing the portrait back in his studio. It would have made a nice break from painting his more demanding adult subjects, who proudly posed with the emblems of their wealth and power: swords, globes, weighty books, jewels and fine silks.

The British Peerage tells us that Lady Caroline was the daughter of the 3rd Duke of Buccleuch. She married the 6th Marquess of Queensberry (slightly lower in rank than a Duke, but who’s keeping score?) She had 6 surviving children and lived to the age of 80. So she was an exact contemporary of Jane Austen, although Jane died at age 41. I’d like to think Lady Caroline read Jane’s books.

Lady Caroline was a privileged child. As she grew up, no doubt she learned that many children were cold and dirty and hungry. Her rank would come with some responsibilities to take care of the less fortunate. She lived through the American Revolution, the Terror in France, and the Napoleonic Wars. And we all know that even for the most privileged, life holds heartbreak and disappointment. But on this wintry day, all that is in the future. In this perfect moment, Lady Carolin stands on her sturdy little legs, happy to be walking about in the wide world.

Vienna is an enchanting city in any season, but my favorite time there is winter. The Christmas season begins in late November, an ideal time for crowd-free travel. I do not have a fur muff or a scruffy little dog, but I am setting off for Vienna with all the anticipation of a child at Christmas.

What Jane Austen Saw

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Through the wonders of technology, we are all invited to stand alongside Jane Austen at an art exhibit she attended on May 24, 1813–two hundred years ago. The date was just a few months after the publication of Pride and Prejudice. Jane mischievously told her companions that she fully expected to see her heroine, Elizabeth Bennet, in a portrait. Elizabeth had just become Mrs. Darcy, of course. “I dare say Mrs. D. will be in yellow,” Jane wrote to her sister.

The exhibit was a retrospective of work by Sir Joshua Reynolds, who had been painting the rich and famous for decades.

In 1769 he was knighted by King George III, who appreciated the “Grand Style” in which Reynolds painted his mostly wealthy subjects. When he painted unnamed allegorical or mythological figures, the models tended to be rich and/or famous, and everyone knew who they were.

As it happened, Jane did not find a likely image of Elizabeth. She joked later that surely Reynolds had painted her, but Mr. Darcy must have valued the portrait too much to put it on public display. Jane did, however, enjoy mingling with the celebrities who crowded the exhibit. We could think of this exhibit as the very first edition of the tabloids we all see in grocery checkout lanes (and read as a guilty pleasure). Everyone who was anyone wanted to fall under the gaze of Reynolds, just as our celebrities hire publicists to get themselves on the covers of magazines.

Sir Joshua Reynolds was also renowned for tender portraits of children. My very first post described one of my favorite paintings by Joshua Reynolds, “Lady Caroline Scott as Winter,” painted in 1776. The post is at https://castlesandcoffeehouses.com/2012/11/20/winter-as-a-child/. ‎The portrait is in private hands, but I saw it in a special exhibit at the Vienna Kunsthistorisches Museum two years ago.

This child was an exact contemporary of Jane Austen. I like to imagine that Lady Caroline attended the same exhibit, and maybe rubbed shoulders with Jane.

We tend to think of Jane Austen as a country mouse, a spinster who spent her days waiting on her family and shyly writing her novels in secret, in her spare time. Actually, she was fun-loving, always ready for a dance or an outing. She knew all about balls and country homes because she attended many balls, large and small. And she had relatives with grand country homes.

To enter the exhibit, go to www.whatjanesaw.org/. The complete original catalog of the exhibit is there. If you click on a picture, an enlargement comes up, along with a description. If you have trouble getting into the site, go to the article below and click on the link. Historians at the University of Texas at Austin meticulously recreated the original exhibit, using accurate historical sources. So we can see the arrangement of the actual paintings in the 3 rooms of the exhibit. We can try to imagine Jane’s assessment of each painting–I’m hearing pithy comments, aren’t you?

There’s an excellent article about the online exhibit in The New York Times at

http://www.nytimes.com/2013/05/25/books/what-jane-saw-is-an-online-trip-for-jane-austen-fans.html?_r=0

Join me next time for more exploration into the art and history of Europe and the British Isles, with some detours into literature too!