Tag Archives: Amsterdam Rijksmuseum

Love in the Dutch Golden Age


Portrait of a Couple, Franz Hals, c. 1622, Amsterdam Rijskmuseum

Portrait of a Couple, Franz Hals, c. 1622, Amsterdam Rijskmuseum

This happy couple posed for the great Dutch portrait artist Franz Hals in around 1622. They were married in April of that year.  They seem completely at ease with each other, and they exude the joy of love. They are believed to be Isaac Abrahamz Massa and Beatrix van der Laen.  The relaxed pose was unusual at a time when portraits were serious business.  However, Hals was known to break conventional norms all the time in order to show the true humanity of his subjects.  And these people were known to be friends of the artist.

Hals included references to love and marriage:  a garden of love to the right, and to the left an eryngium thistle.  This plant was a symbol of male fidelity. (Let’s hope Isaac took the symbol to heart).  I’d like to think these two joyful people enjoyed a long and happy marriage. Happy Valentine’s Day, Isaac and Beatrix!

My Own Woman in Blue

LadyCroppedMy last post was about Vermeer’s exquisite “Woman in Blue Reading a Letter,” which I saw last month in Amsterdam’s Rijksmuseum. I bought a much more humble painting for my own wall, in an antique shop in Santa Monica.  Like many old forgotten oil paintings, this one leaned against a wall with others stacked against it; in fact, there was a dent in the canvas, which smoothed out once I rescued it and brought it home.  There was some water damage along the bottom edge.  Still, the colors were brilliant. It’s one of my very favorite pieces. It’s about 2 by 3 feet, much larger than Vermeer’s. I don’t know who the artist was. But the subject speaks to me:  a woman seated in a lovely, peaceful room, absorbed in her book.

For many centuries, all over the world, women were discouraged from reading.  In places in our contemporary world, reading is still discouraged or even forbidden to women.  A woman reading is a woman not cooking, cleaning, weaving or tending a garden.  Worse yet, a woman reading might get uppity ideas about her place in the world.  Who knows what might come of a woman quietly reading, all by herself?

A British writer, Belinda Jack, has written a book titled The Woman Reader. In it, she explores the history of women reading, in much the same way Virginia Woolf explored the history of women writing in her book A Room of One’s Own.  In many ways, a woman reading a book is creating her own private room, her own space within whatever world she lives in. This interior space, created anew with each new book opened, is really a window onto the wider world outside. We can experience absolutely any time or place, real or imagined, when we pick up a book. We can learn new skills and new ways of looking at life.  We can learn from those who have gone before us.

I was fortunate in having parents who especially encouraged me to read, took me to the library, and gave me the quiet time to develop a lifelong love of books. I wish that good fortune for all children, especially girls.

Book cover from Amazon

Book cover from Amazon

A review of Belinda Jack’s book, by Hermione Lee, is at http://www.theguardian.com/books/2012/jul/05/woman-reader-belinda-jack-review.

Woman in Blue


Vermeer's "Woman in Blue Reading a Letter," Rijksmuseum website

Vermeer’s “Woman in Blue Reading a Letter,” Rijksmuseum website

One of the masterpieces in Amsterdam’s Rijksmuseum is Johannes Vermeer’s “Woman in Blue Reading a Letter.”  In the newly-renovated museum, there are now four exquisite Vermeers all in a row.  In his entire life the master Vermeer only produced only a total of about 34 paintings.  He never became rich or particularly famous.  He ran an inn and acted as an art dealer to make money, not to mention having 15 children, of whom 11 lived beyond infancy. The wonder is that he had any time or energy at all to paint.  He lived in the small town of Delft for his entire 43 years, from 1632 to 1675.  A local patron bought most of his paintings, so his name never spread much beyond Delft until long after his death.

Today, crowds gather in front of Vermeer’s small, jewel-like paintings.  They reward close study. In this painting and in others, Vermeer splurged on expensive blue pigments, lapis lazuli or natural ultramarine. This particular painting was just recently restored, unlocking the glorious blue and the luminous light.   Almost all of of Vermeer’s paintings were small domestic scenes, recording humble lives in humble homes. Through the centuries, the beauty of everyday life shines through in them.

Join me next time for more explorations in the art and history of Europe!